![mcdsp plugins review mcdsp plugins review](https://everythingrecording.com/wp-content/uploads/2013/08/2013-08-27-01.08.32-pm.png)
Each band also has its own ladder‑style gain‑reduction meter in addition to the global VU meters.Īs McDSP’s documentation points out, true analogue multiband compressors are rare beasts, and command eye‑watering prices. Bands can be soloed and muted, and an external side‑chain input is freely selectable by any band if required.
#Mcdsp plugins review plus#
Each band offers the usual Threshold, Attack, Ratio and Release controls, plus its own Saturation dial. These are then sent to separate channels of analogue APB processing to be compressed and saturated, before being recombined on re‑entry to ‘the box’. The fruits of this flexibility are obvious in the MC‑3 multiband compressor (shown above), which uses digital filtering to divide the input signal into three frequency bands. However, one of the clever things about the APB format is that the plug‑ins can also incorporate host‑based digital processing, not only at the start and end of the signal path but also in control signals such as compressor side‑chain feeds. This has always seemed a sensible decision to me, since compression and ‘analogue warmth’ are widely felt to be areas where digital plug‑ins struggle to compete.
![mcdsp plugins review mcdsp plugins review](https://thumbs.static-thomann.de/thumb/orig/pics/bdb/417335/12229412_800.jpg)
Rebel MCĪs already mentioned, the APB’s analogue circuitry is designed for gain control and saturation rather than frequency‑based processing. That includes the superb Moo X valve‑style mixer that was added to the range last year, and it now includes three new plug‑ins which bring the total number available to 10.
#Mcdsp plugins review free#
In other words, all APB plug‑ins are free to all users. These represent a significant investment, but unlike UA’s UAD2 and other digital co‑processing systems, there’s no additional charge for plug‑ins. Two APB units are currently available, respectively supporting eight or 16 mono channels of processing. Behind the scenes, however, these plug‑ins are sending your audio down a Thunderbolt cable to be manipulated by a highly sophisticated, configurable array of analogue gain and saturation processors. To the user, APB processors look and behave almost exactly like conventional plug‑ins. The most radical and, to my mind, the most successful is McDSP’s Analog Processing Box or APB platform. Hybrid is hot right now, and lots of people are finding novel ways to integrate analogue processing into computer‑based mixing. McDSP’s unique analogue plug‑in platform continues to grow, with three impressive new processors joining the collection. Some algorithms are emulations of existing classic gear (but with unique McDSP twists) while others were designed from scratch exclusively for use with the 6030.The MC‑3 multiband compressor from McDSP. Each type of compressor within the plug-in has a distinctly unique algorithm and sound. What It Does: The 6030 Ultimate Compressor is in actuality, ten different compressors housed inside one unit. The 6030 is available for purchase as a stand alone HD ($449) or Native ($249) plug-in, or as part of the McDSP Emerald Pack HD ($2,995) or McDSP Emerald Pack Native ($1,495) bundles.
#Mcdsp plugins review pro#
The newly added Audio Unit (AU) support means all McDSP plug-ins can be used in Logic, Garage Band, Digital Performer, Ableton Live and other AU compatible DAWs in addition to Pro Tools. The McDSP Native plug-ins support the RTAS and Audio Unit (AU) plug-in formats. McDSP HD plug-ins support the TDM, RTAS, and Audio Unit (AU) plug-in formats.
![mcdsp plugins review mcdsp plugins review](https://producelikeapro.com/blog/wp-content/uploads/2019/07/McDSP-APB-16-1.jpg)
Tech Specs: The 6030 Ultimate Compressor is available in an HD and Native version. Plug-ins such as FilterBank are standards in the industry, and the new 6030 Ultimate Compressor will surely be joining this illustrious group of go-to plug-ins in the future. McDSP is one of the original third party plug-in manufacturers for Pro Tools and certainly one of the best. This brings me to McDSP’s newest creation: The 6030 Ultimate Compressor. Often times we come back to certain plug-ins over and over again not just because they sound great, but also because we’re able to dial in the sound we want quickly and move on to the next task. Inside our DAWs however, there is a seemingly endless supply of choices. In the real world, we’re limited by the hardware that we (or the studio) own.